The latest incarnation of Tamron’s 10-24mm represents a sizeable step up in build quality and all-round performance, compared with the previous edition.
Quite expensive to buy, although it’s still very good value for the quality
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A 10-24mm lens is therefore worth using to its full extent, not just as a 10mm lens as some photographers tend to! It's also worth noting that the long end of a wide zoom will often provide better optical quality than the wide end of a standard lens, with less distortion and vignetting. This means that a wide zoom offers a huge amount of shooting versatility, and it's good to make use of the entire zoom range when you're using one. This is partly because the difference of a millimetre or two is pretty significant when you're talking ultra-wide. Ultra-wide zooms are generally preferred to ultra-wide primes, to the point that the choice of ultra-wide primes is pretty limited, especially when using a crop-sensor body. The apparent distance between foreground and background will appear greatly increased, creating a unique "look" that isn't achievable otherwise. The generous viewing angle means you can get really close to a subject, allowing the background to shrink away, and create an exaggerated perspective. There are more possibilities for these lenses, however. Ultra-wide lenses can be as useful indoors as outdoors for this purpose.
This makes practical sense, as landscape photographers tend to want to squeeze as much of a fabulous view into a frame as possible, and architecture photographers will sometimes be working to fit a lot of building into a frame from limited vantage points. You tend to see ultra-wide lenses in the hands of landscape and architecture photographers.